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The Florence Diaries: Mid 16th C Gold & Silk Giorgeria
research and recreation by La Signora Onorata Katerina da Brescia.






A handsewn gorgiera of golden silk with pleating
Inspirations:

First was the 1559 Bronzino's Portrait of a Lady, now thought to be that of Guilia the illigitimate daughter of Allessandro Medici.
The second portrait is Portrait of a Woman found in the Uffizi, dated around 1550-65 and possibly by Alessandro Allori.
Both are Florentine from a similar timeline.

both have a gold giorgeria, of varying complexity, with a collar. Sumptuary laws, made by Cosimo, allowed for one gold giorgeria (Moda a Firenze).
Pattern:
The pattern was based on paintings/frescos of partlets. Mor research on possible patterns and styles of giorgeria can be found here:


Method and Materials:
This was made from a gold and silk georgette, I had purchased a few years ago. I used thread pulled from the material itself, for the handsewing.

Backstitch and running stitch were used to make the seams, using a flat felled seam, so as to hide the edges and reduce fraying (which this material does as soon as you look at it!)

Decorations:
A close up (picture enhanced) of the giorgeria shows a pleated 'strips' on a base of the same colour.
An example of my mock up for the trim pieces is on the left here.

The trim was made from a long strip which was spit-roll hemmed. It was then folded into box pleats and sewn in two lines, with backstitch, to keep in place. The centre folds were then gathered up with a whip stitch, in the centre, and pleated.


Examples of the trim being made:

These lengths were then sewn vertically onto the base giorgiera with running stitch.
Each row finally has a fine gold chain sewn over the stitches, as in the original inspiration, with running stitch. This very neatly hides a lot of the stitching!
Right: you can see the chains. Next the shoulder strips were added (these can just be seen on the portrait), followed by the collar.

The finished item:
A giorgiera of gold and silk, adorned with golden chains

 
Bibliography:
  • Arnold, Janet Patterns of Fashion 4, MacMillan, London, 2008. ISBN: 978-0-333-57082-1
  • Chiarini, Marco (ed). The Official Guide: Pitti Palace - all the museums, all the works. Sillabe s.r.l, Livorno. 2001. ISBN: 88-8347-047-9
  • L'Abito della Granduchessa; Vesti di corte di Madonne nel Palazzo Reale di Pisa. Museo Nazionale di Palazzo Reale, Pisa
  • McCorquodale, Charles. Bronzino: Agnolo Bronzino. Chaucer Press. London. 2005. ISBN:1-904449-48-4
  • Orsi Landini, Roberta & Niccoli, Bruna. La Moda a Firenze 1540-1580. Pagliai Polistampa, Firenze, 2005. ISBN: 88-8304-867-9
  • Rosenthal, Margaret F, Jones, Ann Rosalind. Cesare Vecellio's Habiti Antichi et Moderni: The Clothing of  the Renaissance World. Thames and Hudson, London. 2008. ISBN: 978-0-500-51426-9.
(c) K Carlisle, 2009






And for those who like LIVE JOURNALS... However be warned, I do not update regularly.

All intellectual content, photos and layout are copyright to La Signora Onorata Katerina da Brescia (K Carlisle), except those original renaissance artworks and extant articles whose copyright remains with the current owner.
If you would like to use something from this site, please contact me, and cite this website reference.

(c). K.Carlisle, 2009.

> The finished item:
A giorgiera of gold and silk, adorned with golden chains

 
Additional research on Giorgiera (partlets) and other Giorgiera diaries
Bibliography:
(c) K Carlisle, 2009






And for those who like LIVE JOURNALS... However be warned, I do not update regularly.

All intellectual content, photos and layout are copyright to La Signora Onorata Katerina da Brescia (K Carlisle), except those original renaissance artworks and extant articles whose copyright remains with the current owner.
If you would like to use something from this site, please contact me, and cite this website reference.

(c). K.Carlisle, 2009.