Research:
My research is based on four pictures of nightcaps. These
were found in Mary Gostelow's Blackwork . All three are elizabethan,
16thC. The Cleveland Museum of Art also has a late 16thC nightcap.
The Victoria and Albert Museum has a few examples of polychrome
nightcaps but these are early 17thC. So I have concentrated on the
earlier ones in Blackwork which are 16thC.
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Figure 1 is a nightcap found in the Landsdowne House
collection, from Blackwork. It is embroidered in stem stitch
and plaited stitch. The crown has come undone and we can see
the folded over trim, on the bottom of the cap. It is from
the late 16thC. |
Figure 2 is also from Blackwork. It is from the Burrell Collection . It is embroidered with black silk and gold metalwork. From the 16thC. |
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Figure 3 is from the Cleveland Museum., showing the front and back. Its embroidery; is of flat strips of silver foil wound on a silk core. It is 16.9cm x 18.cm x 18.cm when opened.
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Figure 4: This is from the Carew Pole Collection and is published in Blackwork. It has green silk design of curling feathers. The far right part of the cap shows spangles sewn on it. This nightcap is unfinished, showing how the pattern is oncstructed. The 'cuff' at the bottom shows that the pattern is embroidered on the 'back side' of the material. The material is identified as linen. |
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Figure 5 is a nightcap from the V&A Museum from the 16thC. It has silver and gilt threads in herringbone stitches and speckling. It is identified as being on linen fabric. It is also published in Blackwork.
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Figure 6 (left): Close up of spangles from Fig 4 Figure 7 (right): Close up of crown from Fig 1. |
Design:
As seen with coifs, floral and spiral designs appear to be
popular. I decided to try to make a simple pattern, based on the
spiral patterns seen in three of the extant nightcaps (figs 1, 3, 5).
There were spangles in both Figures 4 and 5. As one of the reasons
for making this nightcap was to learn to put on spangles, I added
them to the design, sewing them on with 3 stitches, as in Figure
6.
The pattern was based on Figure 5, with a one-piece pattern, with
'peaks' at the crown. This one-piece, meant that the lower cuff was
to be embroidered on the reverse of the fabric. This is shown in
extant examples.
I used mainly chain stitch for the pattern. I also chain-stitched
along the edges of the crown pieces. This appears to be what is
happening in figure 1, seen here more closely in Figure 7.(right).
Chain stitch (plaited) will cover the edges.
There is some debate on whether coifs and nightcaps were actually
lined. I decided to line this nightcap, as it was for a prize. As
someone else was to receive it, that may not know much on the
subject, I lined it with linen to give a more finished look, at least
to mundane eyes.
Materials:
I used linen fabric which was actually specified in two of
the examples. This was left over from linen bought to make a chemise
and partlet. I have found a local source for silk Madeira embroidery
thread. This was used for the embroidery. I used linen thread to
stitch the crown together and to hem stitch the lining (archeological
sewing).
Execution:
I made a pattern based on Figure 5, an extant unfinished
nightcap. (see Figure 8). This was then cut from linen. I drew the
pattern directly on the material. This can be seen in many examples
of Elizabthan embroidery. There are examples to be found in Blackwork
and in Patterns of Fashion. Figure 9 shows the embroidery frame.
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Figure 8. Pattern for nightcap and the spangles used. |
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Figure9: Embroidery on frame. & Figure 10: Finished embroidery with lower 'cuff' turned up. |
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Figures 11 and 12 show the nightcap so far.
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Fig 13: Next, I had to learn braid stitch so I could oversew the seams. This is the finished nightcap. |
Bibliography: