The Florence Files:  Extant Underpinnings of 16thC Florence & Tuscany
Recreating 16th Century Florentine and Tuscan  Clothing and Lifestyle












Florence Files























compiled by La Signora Onorata Katerina da Brescia.

Documentation on What Lies Beneath - Florence Underpinnings.
One of my (many) current quests is look for extant examples of possible Florentine underpinnings and linens.

2005:
One of the most interesting books I have discovered was Elisa Ricci's Old Italian Lace. This was found in one of my late night internet searches, about a year ago, quite by accident. It was published at the turn of the 20th century and in it are some unique photographs of extant lace. I am unsure if most of the examples are actually still in existance. Let me share them with you. (from Old Italian Lace)
If anyone has any Florentine examples, please contact me.

Camicia:


Above: The caption here says it is resident in Milan.
Left:This is a shirt from Binney, Florence.

T

2006:
Above: from La Mode a Firenze
16th century Italian found in Museo del Tessuto, Prato. (Tuscany). It is made of linen with cross-stitch embroidery in 'rust' coloured silk. The trim is of bobbin lace, matching the embroidery. The seams are embroidered with silk also. The button is 'woven from similar coloured silk'.
The sleeve ends are gathered into pleats, ending in a cuff. There is no visible stitching over the pleating, on the outside of the sleeve. Interestingly, there are no sleeve gussets. There are however, body gussets.

2007:
At Home in Renaissance Italy  has pictures of two extant items, both made of linen. Both can be found in the Museo del Tessuto, Prato (Tuscany) and are described as 16th century.  The first is a woman's camicia and is very similar to the one in La Moda a Firenze. It si made of linen with cross-stitch 'rust' coloured embroidery around the neckline, cuffs, sleeves and over the seams. This item also has bobbin lace on the neckline and the hem. The second is a man's shirt but is very similar in construction and decoration, using (blue/black silk). Both items have the end of the sleeve gathered in pleats and ending in a cuff. These provide extant examples of camicia that approximate the flat neckline seen in many Florentine portraits and are possibly as close as we will get, at the moment. 
This is from La Moda a Firenze and is a child's camicia/shirt embroidered in gold and red silk with the monogram of Christ. It is found in the Prato museum (Tuscany) and is cited as from the last quarter of the 16th century.
The collar and cuff ruffles are pleated tightly. The sleeve closures are twisted cords, threaded through a red silk-embroidered eyelet.

Stays and Stiffenings:

According to La Moda a Firenze, there is no record of 'metal boned, whalebone or reed' stiffened corsets in Eleanora d'Toledo's wardrobe accounts. There is one extant item of 'stays', that Eleanora was buried in. This can also be found in Janet Arnold's Patterns of Fashion.  It is found in the Galleria de Costume, in Florence. They are made of red velvet, rounded over the stomach. It had 18 metal hooks . There are small gussets at the side seam, below the waist. It is lined and interlined with linen.

Calze:

Moda alla Corte dei Medici  has several photos of the Medici burial clothing of the 16th century, including the red knitted silk hose of Elenora d'Toledo. These measure 52 cm in length,  23cm long foot, 11.5cm ankles) p 86.

Saccoccia:


This is the imbusto (taked from the inside) showing a possible saccoccia (pocket) hanging from the waist of the sottana. This is an early example of the saccoccia seen in later Allori paintings.
It consists of two pieces of yellow silk tafetta which were found amongst the folds of Eleanora's burial dress. Janet Arnold surmised it was half of a small pocket/pouch.

(Moda alla Corte dei Medici  p56.)

Bibliography:

  • Ajmar-Wollheim, Marta & Dennis, Flora (ed). At Home in Renaissance Italy. V&A Publications London, 2006. ISBN: 10 1 85177 488 2.
  • Moda alla Corte dei Medici, gli albiti restauranti di Cosimo, Eleanora e don Garzia Firenze : Centro Di, 1993. Description: 107 p. : ISBN: 8870382389
  • Ricci, Elisa. Old Italian Lace Volume 1. William Heinemann, London. 1913 available on line: http://www.cs.arizona.edu/patterns/weaving/books.html
  • Orsi Landini, Roberta & Niccoli, Bruna. La Moda a Fioenze 1540-1580. Pagliai Polistampa, Firenze, 2005. ISBN: 88-8304-867-9


© K Carlisle, 2005-2008


All intellectual content, original photos and layout are copyright to La Signora Onorata Katerina da Brescia (K Carlisle), except those original renaissance artworks and extant articles whose copyright remains with the current owner.
If you would like to use something from this site, please contact me, and cite this website reference.

(c). K.Carlisle, 2004-2008.

Moda alla Corte dei Medici  has several photos of the Medici burial clothing of the 16th century, including the red knitted silk hose of Elenora d'Toledo. These measure 52 cm in length,  23cm long foot, 11.5cm ankles) p 86.

Saccoccia:


This is the imbusto (taked from the inside) showing a possible saccoccia (pocket) hanging from the waist of the sottana. This is an early example of the saccoccia seen in later Allori paintings.
It consists of two pieces of yellow silk tafetta which were found amongst the folds of Eleanora's burial dress. Janet Arnold surmised it was half of a small pocket/pouch.

(Moda alla Corte dei Medici  p56.)

Bibliography:



© K Carlisle, 2005-2008


All intellectual content, original photos and layout are copyright to La Signora Onorata Katerina da Brescia (K Carlisle), except those original renaissance artworks and extant articles whose copyright remains with the current owner.
If you would like to use something from this site, please contact me, and cite this website reference.

(c). K.Carlisle, 2004-2008.